The equipment they have consists of a variety of the best version of these tools: Camera Body, Lenses, Follow Focus, Memory Cards, Tripod, Monitors, Steadicam or Gimbal, Steadicam Jib, cranes, Lighting Units, Lighting Unit Stands, Stingers, Reflectors, Flags, Lighting Gels, camera Dolly, Field Audio Recorder, Shotgun Microphone, Boom Pole, Boom Pole XLR Cables, LAV Mics...

Panther X typeEZ3 ( s35-45-165//FF 68-250)Alexa35, Alexa LF, PhantomFlex4K, Optimo 44-440, Optimo 56-152, Supertechno50, Fisher 10, Profoto pro 11, Panther S type, Ronin 4D 8K raw, 40 x 40 digital diffuser, Skypanel X, Godox reflectors, Optics laowa pro2be lens system, Cinebot, 4 Axis, Bolt X, Fisher 10/11, Supertechno 75 plus, Gates underwater housing, Junior 5 motorised motion, Rain machine, Multi canfull supply for Tv productions, Foxi crane, Super techno 30, Sony p50 4K camera, 45 X canon zoom lens

consistently delivering exceptional services and innovative solutions. Our success stems from our unwavering commitment to quality and our ability to adapt to the evolving demands of the industry. Recognizing the significant opportunities within the film industry, we have strategically adjusted our business model and expanded our fleet to cater to its specific needs. With the launch of FPS, Our new sister company focused on film production services, we are bringing the same level of expertise and dedication that has made OPS a standout in events into the realm of cinema. We also feature high-quality trailers From our European Partners, known for their outstanding performance and comfort, further enhancing our offerings to filmmakers.

2-GRIPS DEPARTMENT:RESPONSIBLE FOR SETTING UP AND MAINTAINING ALL RIGGING AND CAMERA SUPPORT 2 SYSTEMS, INCLUDING DOLLIES, CRANES, AND OTHER MOVEMENT EQUIPMENT. 3-LIGHTING DEPARTMENT: HANDLES ALL ASPECTS OF LIGHTING ON SET, ENSURING SCENES ARE PROPERLY 4-CAMERA DEPARTMENT: INCLUDES THE CAMERA OPERATORS, ASSISTANTS, AND TECHNICIANS RESPONSIBLE FOR 4 CAPTURING FOOTAGE ACCORDING TO THE DIRECTOR’S AND CINEMATOGRAPHER’S PLANS. 5-LOCATION DEPARTMENT: SCOUTS, SECURES, AND MANAGES FILMING LOCATIONS. HANDLES PERMITS, LOGISTICS, 5 AND ENSURES THE LOCATION MEETS ALL PRODUCTION NEEDS. 6-UNIT DEPARTMENT: TAKES CARE OF ON-SET NECESSITIES SUCH AS CATERING, FACILITIES, AND MAINTAINING 6 A WELL-ORGANIZED PRODUCTION ENVIRONMENT. 7-ASSISTANT DIRECTORS: OVERSEE THE SMOOTH RUNNING OF THE SET, MANAGE SCHEDULES, AND COORDINATE 8-VFX (VISUAL EFFECTS): HANDLES DIGITAL AND POST-PRODUCTION EFFECTS THAT BRING COMPLEX OR 8 IMAGINATIVE SCENES TO LIFE, BLENDING THEM SEAMLESSLY WITH LIVE-ACTION FOOTAGE. 9-SFX (SPECIAL EFFECTS): MANAGES PRACTICAL, ON-SET EFFECTS LIKE EXPLOSIONS, WEATHER EFFECTS, OR 9 STUNTS, ENSURING THEY ARE EXECUTED SAFELY AND EFFECTIVELY. 10-SOUND DEPARTMENT: CAPTURES HIGH-QUALITY AUDIO ON SET, INCLUDING DIALOGUE, AMBIENT NOISE, 11-ART DEPARTMENT: COMPRISES MULTIPLE SUB-TEAMS LIKE CONSTRUCTION, SET DECORATORS, PROP MASTERS, AND SCENIC ARTISTS. THEY ARE RESPONSIBLE FOR THE OVERALL VISUAL STYLE AND DESIGN, FROM BUILDING SETS TO ENSURING EVERY PROP IS PERIOD-APPROPRIATE.

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